SYNTHETIC HUMANITIES LAB / A CRITICAL INSTRUMENTPROTOTYPE / 05

THE DROSOPHILA CRITIC

A fruit fly listens to poetry.

MaleCNS v1.0 · 166,700 neurons

Fixed English voice. Up to 2,000 characters / 60 seconds of audio.

0 / 2,000

The voice is standardized.
The nervous system remains frozen.

METHOD A voice, an auditory input, a frozen connectome.

How the encounter unfolds: temporal confirmation ↗

Auditory receiver laboratory: development and validation ↗

Does earlier sound change reception of an identical passage? ↗

Delivery bench: compare level-matched performances across repeated seeds ↗

The reference poem is rendered by one fixed synthetic voice. A separate, credited human performance is available for comparison; each recording receives its own simulation and matched silence control. No semantic representation is provided to the fly. Frame-by-frame sound amplitude becomes equal stimulation of 138 annotated JO-A/JO-B Johnston’s-organ neurons.

The full fly.ai connectome simulation runs with its weights frozen and its seeded noise intact. RESPONSE comes from recorded simulated spikes. READING interprets a restricted measurement summary and never sees the poem.

The 3D body uses NeuroMechFly anatomy from a female micro-CT exemplar; it is an illustrative surface, separate from the MaleCNS connectome. The static pose does not simulate listening mechanics or behavior. Sound rings display amplitude; antennal color displays JON firing. Anatomy credits ↗

The acoustic bridge is deliberately crude: it measures RMS amplitude, without modeling frequency tuning or antennal mechanics. This is a computational artwork and critical apparatus, not evidence that Drosophila understands poetry.

Critical directions: affect, performance, and posthumanities ↗

Read the full method and modeling choices ↗